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The Backup, by Erica Kudisch
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I’m supposed to be better than this. I’m supposed to have a tenure-track job teaching music history to undergrads, writing papers about Bach, and proving to kids like me that you can work your way out of Harlem. I’m not supposed to be following a rock star around the country, fetching his mail, making sure his groupies are of age.
I’m definitely not supposed to be sleeping with said rock star, who claims to be the Greek God Dionysus. At first I thought it was a load of crap. Nik’s fans might think his music captures their hearts—and souls—but I knew better. Until one of Nik’s orgiastic concerts gets out of hand and I don’t know which is worse: that he might be a god after all, or that he has a body count.
Nik doesn’t care what I want or what I should be. He wants to tear down the world I’ve built, warping all I am, until his music is all that’s left of me. I can’t let him do that. I shouldn’t believe in him. I’ve seen what happens to the people who believe in him.
But I can’t get his song out of my head.
- Sales Rank: #2630450 in Books
- Published on: 2016-01-06
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .85" w x 5.25" l, .85 pounds
- Binding: Paperback
- 340 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
Mesmerizing, addictive, LGBT speculative fiction
By Unquietly Me (Katinka)
This novel was so utterly mesmerizing that once I started it I couldn’t put it down. I probably should have been horrified by the events that took place, but there was a dreamlike quality to the narrative that most of my attention was focused on trying to figure out what was real and whether the narrator could be trusted.
The narrator Anthony graduated with a PhD in Musicology that is virtually worthless because he can’t get a job in academia. His uncle, who represents musicians, offers him a job as a personal assistant to an artist. Anthony feels that he doesn’t have a choice so he agrees to work for Nik, a rock god, who might actually be a god.
Nik’s music is so dangerous that concertgoers have to sign liability waivers. His concerts incite violence and orgies, and some of his fans have even committed suicide. Anthony thinks his job is to keep Nik under control, so that people won’t be hurt. But he can’t prevent a young woman from committing suicide at a concert and a security guard from being so enthralled by Nik’s music that he neglects his job. Anthony gets into a fight with the security guard, and while trying to protect himself ends up nearly killing the man.
Soon, the FBI is investigating Nik for criminal activity and trying to determine if Anthony is an accomplice. The FBI has no way of proving that Nik is responsible for these deaths, because Nik has an incomprehensible power that can’t be explained in the material world. Anthony has to decide whether he’s going to cover for Nik or help the FBI’s investigation.
It’s a difficult decision because Anthony both hates and lusts for Nik, who binds Anthony to him with the power of a song–a song Anthony can’t stop hearing. It’s a discordant song that Nik initially uses to get Anthony to sleep with him. Once that song is in Anthony’s head, he can’t decide if he really wants to get away from Nik.
What’s so good about this book is its ambiguity. I couldn’t help but want a happy ending for these characters, even though Nik’s morality was in question. I wanted Nik to be redeemed in the end. I wanted their crazy relationship to win. I wanted good to vanquish evil. I wanted Anthony to change Nik. I wanted to believe in Nik.
I wanted to believe that Nik cared for Anthony. That Nik’s ambiguous gestures and seeming concern for Anthony’s safety, his wanting for Anthony, and his admission that Anthony had the power to hurt him meant that Anthony was special to him. But this isn’t a romance novel. There is sex and a relationship, but there’s also codependency and abuse, and in the end it’s Anthony who changes.
I don’t read speculative fiction a lot, but I enjoyed this one immensely. I liked that most of the characters were LGBT. I liked that the main character Anthony was black and self-aware. The author’s inventive writing style really drew me in. I want to read more books like this.
*ARC received from NetGalley for an honest review.
1 of 1 people found the following review helpful.
It’s wonderful. Erica writes vividly and lusciously
By Christy E. Case
The Backup
Erica Kudisch
Bacchus is the rockstar Nik. Anthony is the boy who can’t play music. Not real music, anyway. There is so much music in this, singing and screaming off the page, in quiet piano moments, in iPods and soundproof rooms and concert halls. It’s wonderful.
Erica writes vividly and lusciously. The characters, at first unlikeable (but not TOO unlikeable) are slowly revealed. Depths, conflicts, pain, and the human and religious experience. This is a novel to be experienced, rather than read, and it’s addicting.
The good: Protagonists of color, a solid grasp of classical music, a tactile setting.
The bad: Nonconsensual sex, a non-evocative title.
This book is risky. Read a preview first, to see if you can stand it. Splendor awaits. Disclaimer: I know nothing about music. I still loved it.
Four stars.
~ C. E. Case
I was provided this book by Inked Rainbow Reads in exchange for an honest review. I was not compensated, coerced, or flattered into an opinion.
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1 of 1 people found the following review helpful.
Erica Kudisch is a rising rock star herself!
By Tamara K Woleston
Kudisch has always been a solid writer, with a skill for the show-don't-tell and for building delicious layers of tension and drama. She manages to keep a reader actively thinking, which is such a gift.
The Backup is well-paced, driven, and really /interesting/ to read. Anthony Brooks is a great protagonist in that you are rooting for him most of the time, but every now and again wishing he'd choose differently. He's realistic and relatable as a result.
Nik is, well... you'll have to find that out for yourself.
The attention to detail is great; the locations and venues are well fleshed out. Kudisch's own musical background shines through as the tie that binds the whole narrative together and gives a potentially esoteric realm, musicology, tangible life.
The research is there. The fantasy is there. The nod to classical mythology is there. There's balance and unity and, best of all, that raw unfinished edge that leaves you wanting to know where this all leads after the last page is turned.
Kudisch is one to watch, make no mistake.
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